THIS POST USED TO HOWCASE THE DIFFERENT CODES USED TO ACCESS “SECRET” GENRES ON NETFLIX. NOBODY I KNOW ACTUALLY USED THEM OR HAD KNOWN HOW TO DO SO.
SO I’M CHANGING THE POST TO DISCUSS NETFLIX AS A WHOLE.
IN SHORT, BIG COMPANIES LIKE DISNEY MAKE ABOUT 12 MOVING PICTURES A YEAR.
IT’S BECAUSE THE RISK IS HEFTY, AND THE CALCULATIONS MUST BE THOROUGH.
THEN PRODUCTION BEGINS. IT IS A BIG PROJECT SO IT REQUIRES FULL ATTENTION AND ALL MANNER OF RESPONSIBLE SPONSORSHIP.
NETFLIX SEEMS TO DO THEIR PROJECTS IN A HASTE.
THEIR DOCUMENTARIES ARE SOMEWHAT INTERESTING AT TIMES, AND STILL, I THINK THE MANNER OF APPROACH USSUALLY TAKES AWAY THE CLIMAX OF THE TOPIC AT HAND.
WE CAN COUNT THEM ON TWO HANDS;
- SZUKALSKI
- THE JINX
- WILD COUNTRY
- WELCOME TO MARWIN
- JIM & ANDY
- BEHIND THE CURVE
- /DAVID ATTENBOROUGH/
- FYRE
- SOCIAL DILEMMA
- THREE IDENTICAL STRANGERS
THE WORST EXAMPLES I CAN THINK OF ARE;
ICARUS, ANNIHILATION.
SHUT-EYE CINEMA 