Christopher Robin. The staff of bruised reed.

Illusions on the path to freedom.

UPDATE 2024: Christopher meant to be a giant that carried baby jesus through a stream of water.

A bit of background: Canes (symbol of patriarchic status) became umbrellas, which mass-production denoted from their “purpose”. Hats were discarded by men because of helmet resemblance in WW1-2.
Long raincoats – because of automobiles. 

  • EWAN MCGREGOR – IN “TRAINSPOTTING” PLAYED A BRITISH NARCOTICS ADDICT WITH HALUSINATIONS, IMAGINING THINGS, SWIMMING UNDERWATER, AND CHASING TRAINS. MORE IMPORTANTLY, THE TITLE “CHOOSE LIFE”.
  • FIRST FIVE MINUTES – I SPOT THREE SEX REFERENCES.
    ADDITION, POOH ONE TIME HAS P.O.V. SHOT AIMED AT LARGER ROBIN FROM BELOW.
  • 34:43 – TREASURE ISLAND LAYS UPON THE IMAGE OF A QUEEN – THE GOLDEN ENGLAND BETWEEN TWO LION PILLARS AND HOLDING A GLOBE SPHERE.
  • < JUST AS THE TWO BOOKS ALLIGN TO A CERTAIN “NORTH”,
    THE GLOBE ALLIGNS TO THE ZERO MERIDIAN IN LONDON, ENGLAND.
  • COMPASS IS HERE, MORAL COMPASS. LENDING IT TO BEAR MUST SIGNIFY BOTH HIS MORAL AMBIGUITY, AND THE PASSING OF THE LEADING ROLE IN THE E.U. – TO GERMANY.
  • BREXIT. THE WHOLE MOVIE IS ABOUT LEAVING ONE REALITY, ENTERING ANOTHER.
  • QUESTION OF IDENTITY;
    QUESTIONING ONE’S SENSES – RABBIT IS THE EARS AND OWL IS THE EYES.
    LOG IS THEIR BODY, BECAUSE LOG IS A MERITIME SYSTEM/OPARATUS FOR KEEPING LOG. IT IS DEAD AND HOLLOW UNTIL PROVEN OTHERWISE.
  • THE LOG: WE FIRST SEE A SIGNPOST WITH MULTIPLE DIRECTIONS (SEE COVER IMAGE) – BUT INSTEAD OF TOPONIMS, LOCATIONS, IT SAYS “DANGER”, AND NAMES SCARY, IMAGINERY ENTITIES (FOES). KEEP THIS IN MIND UNTIL THE END.
    THEY ARE OF ANOTHER KIND OF IMAGINARY – THEY ARE TRULY NON-EXISTANT, ILLIGAL IN A SENSE. THIS IS THE STAFF REFERENCED.
  • RED & BLUE:
    CHRISTOPHER USES HIS RED PEN TO CORRECT NUMBERS ON A SHEET OF PAPER WHILE HIS WIFE PAINTS AN ARTISTIC IMAGE USING A BRUSH WITH BLUE PAINT. THE IN AND OUT, EBB AND FLOW, MASCULINE AND FEMININE PARTS OF PERSONALITY IN THE FIGURES OF PROPER PARENTS.
    BOTH APPEAR IN THE LONDON UNDERGROUND LOGO AND THE UNION JACK.
  • <<UPON ARRIVING TO LONDON, A NEW QUESTION OF IDENTITY;
    TIGGER’S IMPERSONATOR. AGAIN, THE ANIMALS MISUSE WORDS AND DON’T KNOW THE DICTIONARY.
  • |<-ONE:VERSE: SAME THING THAT HAPPENED WITH THE POLE
    (COULD IT BE, NORTHPOLE?) HAPPENS WITH THE CAB DRIVER – STUMBLING UPON A POLE AND SCATTERING *IMPORTANT* PAPERS.
  • -“WHAT ARE YOU INCINERATING ABOUT ME?”
    TO INCINERATE – TO DESTROY SOMETHING (ESPECIALLY WASTE MATERIAL) BY BURNING. THE COP POINTS OUT THE WRONG USE OF THE WORD (MAYBE “SCENE”?)
  • “OFFICER”: MEANS ONE HOLDING AN OFFICE POSITION.
    WHAT THE THREE CONFUSED PEOPLE ARE DOING IS QUESTIONING IMAGINATION. IMAGINATION MEANS: “THE FORCE TO MANIFEST REALITY”.
  • WEATHER VANE:
    WHILE HIS DAUGHTER AND IMAGINARY FRIENDS ARE INCASED, HE SEARCHES OWN CASE TO FIND A WIND FLAG.
    MIND YOU, THE WIND FLAG IS ESSENTIALLY A COMPASS (IMMOBALIZED HERE WITHOUT GROUNDED MAGNETISM) AND CARRIES DEPICTION OF A ROOSTER (MEETING THE SUN). WELL, HE IS ABOUT TO MEET HIS OFFSPRING, ISN’T HE?
  • NO TALE LASTS FOREVER.
    ALONG WITH THE WIND FLAG, THE FOLDER CONTAINED AN IMAGINARY ASSES’ TAIL. SIMMETRICALLY, TIGGER (IMAGINARY IMPERSONATOR) IS ABOUT TO CHOP OFF HIS TAIL, ACCUSING THE IMPERSONATOR(?)
    AND THAT’S WHEN WE HEAR “NO TALE LASTS FOREVER”.
    IT’S CLEAR.
  • EXPEDITION / EXPORTATION.
    ONE IS FOR THE CONSCIOUS PURPOSES OF “A JOURNEY OR VOYAGE UNDERTAKEN BY A GROUP OF PEOPLE WITH A PARTICULAR PURPOSE, ESPECIALLY THAT OF EXPLORATION, SCIENTIFIC RESEARCH, OR WAR.” THE OTHER IS THE SAME, ONLY FOR INANIMATE, DEAD OBJECTS. NOT BEING CLEAR ABOUT IT MAY COST LIVES. LITERALLY.
  • THE ANIMALS FALL DOWN FROM THE SKY LIKE THE LEAVES OR THE BOMBSHELLS IN THE BEGINNING.
    FALL, LIKE THE SCENE HERE MENTIONES, SPRINGS, ARE TERMS FOR 2 OUT OF THE 4 SEASONS OF THE GLOBE;
     “THEIR TOPS ARE RUBBER, THEIR BOTTOM SPRING” – GIVING A THREE DIMENSIONAL CONCEPT OF THE GLOBE, TURNING ON ITS AXIS WHILE IT TRAGECTS THE COURSE OF ITS ORBIT.
  • < THAT’S WHY WE SAW AT THE TRAIN AND STATION THE NUMBERS 2, 3, AND “THIRD”. CHRISTOPHER MEANS “BEARER OF CHRIST (CROSS)” – AND THAT’S THE EARTH, AS IT SEEMINGLY CARRIES THE SUN AROUND IT. COULD BE THE OTHER WAY. HIS SPOUSE HERE COULD SIGNIFY THE MOON AND HIS DAUGHTER THE EARTH, SO IT MAKES SENSE. THE DAUGHTER PLAYED ALONE WITH A RED BALLON ON A TENNIS FIELD. WINSLOW JR. WAS ABOUT TO PLAY GOLF (STREAM), WHICH USES A WAVE-LIKE FIELD INSTEAD.
  • WINSLOW – WIND SLOW. EBB. SCHTIEL IN MERITIME TERMS.
  • WHILE WE LEARN WHO EXACTLY WAS THE IMPERSONATOR AND A FAKE LAME SON – THE BOSS WHO WOULD VENTURE TO RESORT, NOT FACE THE PROBLEMS. THAT’S A GOOD MORAL THERE.
  • -“TASTES LIKE MILK” (TIGERR ABOUT HIS TAIL).
    AS FATE WOULD HAVE IT, THE SAME DAY I WATCHED “CORIOLANUS”.
    “There is no more mercy in him than there is milk in a male tiger.”
    USED TO MEAN NO CHANCE OF HAPPENING AT ALL.
    CORIOLANUS IS A TALE OF A WORTHY COMMANDING ROMAN OFFICER WHO IS BANNED FROM ROME BY THE CITIZENS, SINCE HE WAS SOMEWHAT ASOCIAL IN TIME OF NEED.
    HE RETALIATES BY SAYING “NO. I BANISH YOU” THUS TURNING THE TABLES, THEN LEAVES, GOES INTO HIS DEADLY FOE’S DEN AND JOINS HIM TO AVENGE ROME.
  • BESIDES, MILK AND HONEY ARE THE TWO PROPERTIES OF THE PROMISED LAND, WHICH IT IS KNOWN TO THE TRIBE OF ISRAEL TO BE PLENTIFUL IN.
  • WIND BLOWS AGAIN FO THE THIRD TIME, SCATTERING THE DOCUMENTS. INTERESTING IS THE PRESERVATION BY FATE OF TWO DOCUMENTS IN THE MOVIE: A CHILDHOOD PAINTING OF IMAGINATION AND A DOCUMENTATION OF A BUSINESS PLAN. SEE THE SIMILARITY?
  • MADELINE NAME LITERALLY MEANS “FROM A TOWER”.
    THE TAROT CARD DEPICTS A THUNDER-STRICKEN TOWER WITH PEOPLE AND BRICKS FALLING FROM IT. ULTIMATELY THIS MEANS CATACLYSM FOR WAY OF RENEWAL.
    SO THE EARTH IS ABOUT TO BE STRICKEN AND RESTART?
    BUSINESS ON THE PLANET IS ABOUT TO RESTART?
    THAT WOMAN IS ABOUT TO LOSE A CHILD? OR LOSE HER?
    OR IS IT ABOUT THE SCATTERING, LOSING PAPERWORK?
  • SHE IS THE ONE WHO CAUGHT THE PAPER AND IT LITERALLY DEPICTS A PYRAMID.
  • -“IT ALL DEPENDS AT HOW YOU LOOK AT THINGS”. PERSPECTIVE.
  • WHICH IS THEN IMMIDIATLY SPUN TOP TO BOTTOM! GOOD ENDING!
  • THE BUSINESS IDEA IS BRILLIANT!
  • “HOI POLLOI” – GREEK FOR “MANY (PEOPLE)”. (THE ISRAELITES)
  • “DARLING, YOURE A GENIUS” – MEANS YOU ARE UNIQUE, LIKE TIGERR CLAIMED HIMSELF TO BE…
  • ALL THREE GOING TO THE OFFICE THROUGH A ROTATING DOOR LOOKS LIKE A CROSS ON A CIRCLE AND IN MOTION.
  • STRIKING THE PYRAMID. PAPER SAYS ”K E Y”.
    The blade symbol turns into the cup…
    THE CLUE LIES IN THE SYMBOLIC LIBERATION OF THE WORKERS.
    JUST LIKE MOSES DID WHEN HE WAS UPRISING THE PHARAOH AND HIS SON! BUT HERE IT IS ABOUT LETTING A NATION TO EXIT A CONTRACT – THE BRITISH EXPERIMENT OUT OF THE EU.
  • THAT WAS THE ONLY REASON FOR C.R. TO BE WORKING, OF ALL PLACES, IN A LUGGAGE MANUFACTURING COMPANY!!!
  • HIS NAME IS GILES. MAYBE GILLS LIKE A FISH DOES?
  • TO PUT THE TAIL ON THE DONKEY:
     IS TO CORRECTLY POINT TO THE PROBLEMATIC MATTER.
    TO DO SO BLINDFOLD PROVES IT TO BE EVEN MORE SO OBVIOUS, JUST AND SO ON AND SO ON. Everyone knows the rules – you put the blindfold on the child, put a paper tail in their hand, SPIN THEM AROUND a few times and point them in the direction of a cut-out paper donkey taped to the wall. The child that gets their tail the closest to the donkey’s hindquarters wins. AS HE JUST DID!
    NOT SURE WHAT IT DOWS HAVE TO DO WITH A KERNEL THOUGH.
  • “THAT DONKEY WAS STARING AT ME”.
    WHERE DID WE SEE THAT MOTIF AGAIN?
  • IN THE END THE’RE BACK HOME, WHICH THEY NEVER LEFT…
    WHAT COULD IT MEAN?
  • THE DUO SITS AT A BENCH MADE OF A LOG…
    UNDER THE AGAIN FLOURISHING TREE.
  • THE END. MIND YOU THAT WINTER IS SHOWN TWICE: WWII AND POOH.
  • —————————————————————————————-
  • NOW THERE’S AN EVEN MORE INTRUIGING PART.
  • After credits:
    -“I think things are changing, and not for the worse”
    -“Thanks for noticing me”
    Noticing eyeore, the donkey, in this context, is to notice the signs of the coming of the Judaic tradition messiah. This is generally considered to be the Islamic nations, which are foes, which means Mizraim, which is still to this day, Egypt.
  • משענת קנה רצוץ – “Now, behold, thou trustest upon the staff of this bruised reed” (2 Kings, 18:21) Thus said Rabshakeh – the chief cup-bearer. Perhaps a connection to the stuardess in the train, she agreed to amuse the girl and prepared tea for all her imaginary friends.
  • “Even upon Egypt, on which if a man lean, it will go into his hand, and pierce it: so is Pharaoh king of Egypt unto all that trust on him.”
    Piercing one’s hand like Jesus (Christ, cross) would make stigmata. Stigmata literally means “SIGN(S)”.
  • THIS IS THE SIGN THAT POOH AND ROBIN NOTICE WHEN THEY PASS THROUGH THE WOODS!
  • P.S. – UPON LEAVING EGYPT, THE TRIBE OF ISRAEL TOOK THEIR MASTERS’ GOLD AND SILVER, UNDER THE COVER OF THE DARKNESS GOD AIDED THEM.

Leave a comment